AWS for M&E Blog
Category: AWS Elemental MediaConnect
Distribute low-latency broadcast content in AWS using JPEG XS and AWS CDI
Introduction Live production workflows are one of the most demanding workloads for broadcasters. Broadcasters require low latency, agility, scalability, and reliability to deliver live content like news and sporting events to consumers. HAQM Web Services (AWS) developed the AWS Cloud Digital Interface (CDI) SDK as an open-source project to help the media and entertainment industry with […]
Uncompressed Media over IP on AWS: Read the whitepaper
Today, AWS is pleased to introduce the Uncompressed Media over IP on AWS whitepaper. As customers transition from Serial Digital Interface (SDI) to Internet Protocol (IP) infrastructure for media workflows, they are taking advantage of new standards for transporting broadcast signals such as SMPTE ST 2110 and NMOS. This shift to IP is not simple, […]
Enhance and monetize media archives with AWS Data Migration Service
Introduction With streaming platforms becoming ubiquitous, media and entertainment companies are looking to differentiate themselves in a crowded marketplace. They are seeking ways to preserve, rediscover, enhance, restore, and monetize their content libraries to offer them to consumers. In order to achieve this, it is recommended that media and entertainment companies migrate their entire content […]
Near real-time notifications for AWS Media Services
A real-time live video workflow doesn’t offer second chances. The stakes are high, especially during marquee events that gather millions of viewers, so it is important to be able to react quickly and effectively to any potential issues affecting a live stream. This blog post details how to set up near real-time notifications on system […]
Color in the Cloud: Motion picture and television color grading and finishing on AWS with Baselight
Motion picture and television workloads that require high-fidelity color monitoring such as color grading, VFX compositing, digital intermediate, finishing, and master quality control have typically been precluded from running in the cloud due to the traditional 8-bit 4:2:0 sRGB color space limitations of pixel streaming clients such as Teradici’s CAS and AWS NICE DCV (NICE […]
AWS Elemental Link UHD brings viewers closer to Super Bowl Halftime Show in 4K
Football fans from across the country gathered in a packed SoFi Stadium on February 13, 2022 to see the Los Angeles Rams and Cincinnati Bengals face off in the biggest game of the year. At the same time, more than 112 million people worldwide tuned into a live event broadcast and stream to catch key […]
Fujitsu’s Network Error Correction Protocol available in AWS Elemental MediaConnect
This post is authored by Mr. Yosuke Arimura, Manager, Urban Environmental System Division, Social System Unit, Fujitsu Limited. The content and opinions in this post are those of the third-party author and AWS is not responsible for the content or accuracy of this post. AWS Elemental MediaConnect is a high-quality transport service for live video […]
Part 2: SCTE 35 signal conditioning in AWS Elemental Live
This is the second post in a two-part series. Read the first post here. It is quite common for AWS Elemental Live, which lets users encode live video on premises for events and 24/7 streams, to be used to deliver live streams into HAQM Web Services (AWS) for over-the-top (OTT) workflows and to distribute a […]
Migrating Microsoft Smooth Streaming to HAQM CloudFront for streaming video
Migrating Microsoft Smooth Streaming to HAQM CloudFront—a content delivery network (CDN) service built for high performance, security, and developer convenience—for video on demand (VOD) and live streaming is a conversation that we have had with many of our customers. During the past few years, several CDN providers have begun to remove support for Smooth Streaming. […]
A+E Networks UK enhanced distribution using a playout solution built by AWS Partner Amagi
Media network A+E Networks UK (A+E UK) needed to find a new playout solution when its previous service provider suddenly went out of business. Unless it found one within 3 months, A+E wouldn’t be able to broadcast its TV and streaming channels—including HISTORY, Crime+Investigation, Lifetime, and BLAZE—to 60 million homes across 100 countries. Finding a […]